Sunday, December 9, 2007
Christmas Past 1940
Have a Merry Christmas!
Rodney C. Mackay
Wednesday, November 28, 2007
The Picton Castle Tragedy Continues
The two of us have collected a very large number of photos of her over the past years and will post some of them if there is an interest? A number of these are already online (click link to home website ar right), with Rod's personal musings about the loss of Laura Gainey from her deck during a North Atlantic storm.
Rod is quite busy just now, so you will have to e-mail him if you want to see more pictures of this craft!
http://rodneymackay.com/
Tuesday, November 27, 2007
Father Christmas at Mahone Bay
In addition to this living breathing representative of his kind, this Father Christmas was supplemented with seventy life-sized replicas representing the reincarnate Saint Nicholas, whose feast day is still remembered in some places on the fifth day of December. Old Saint Nick is a Teutonic Yule-tide character and a natural for Christmas promotion in Lunenburg County which was settled by German protestants in the mid eighteenth century.
Franky, the Lunenburg Christkindlmarkt or "Christ Child's Market" was more of a local food fair, and did not seem to attract hordes of visitors from outside the immediate area. That is unfortunate: From the lack of decoration on the part of nearby businesses on Lincoln and Montague Streets it may be suspected that the local merchants were ot entirely enthusiastic about this solidly amateur effort!
Sunday, November 25, 2007
Waiting For Santa at a Lunenburg Wharf
Saturday, November 24, 2007
The Strange Season
A supernatural hag of Gaelic popular belief, supposed to have come from Lochlann (loch land, or Norway) carrying a creel full of earth and rocks withwhich she constructed Alba. Some of the contents of her wicker-basket,accidentally fell to the west creating the Western Isles. She was described as one-eyed like the Fomors, and carried a staff which perpetually shed snow and could generate lightning. She was called the "Geamir" or game-keeper as she was the ultimate goddess in charge of the
deer, sheep, and goats of Scotland. Called in English, "The Winter Hag", her special season was "geamhradh", which the Anglo-Saxons named winter. Her domain was the Scottish highlands between Ben Cruachan in Lorn and Ben Nevis in Lochaber, and from there to the remotest islands of the Western Sea. The mate of the Cailleach is given as the Bodach, and she was a shapechanger often appearing as a gigantic Grey Mare, which stepped from mountain top to mountaintop. In winter, she jealously guarded her icy control of the land unleashing her sharks-winds and the wolf-kind against the people of Scotland as her powers declined after February. Finally at the Beltane, she "threw her hammer (symbolizing thunder and lightning and storm) under the mistletoe" and was shape-changed into the Samh, or Morrigan, the youthful mistress of the "samradh" or summer. The Scottish equivalent of the god Odin, having charge like him, of the winter winds and heading the Unsely Host, which rides through the Yule-tide season picking up the spirits of those "nach maireann" (lacking divine fire, no longer alive).
Thursday, November 22, 2007
Here's the rub
This fact was discovered by science journalist Dan Falk a one time resident of Nova Scotia now living in Toronto. The full story can be found on Astronomy.com
The Night Sky At The Nativity, Lunenburg, N.S.
This one involved St. John’s Anglican Church, a hallowed hall of worship in the town for nearly 250 years and one of Canada’s National Historic Sites. It was almost totally destroyed and required $5.6 to restore.
The larger photo is a part of the rotunda in the eastern part of the church. This ceiling was originally painted in 1900 and fixed with gold-leaf stars as seen above. Thing is, the pattern of stars in not random but coincides with astronomical fact!
Tuesday, November 20, 2007
Saturday, November 17, 2007
The "Art Experts"
By and large art educators and critics do not have the time to create consistent, well-considered works of art, and have to be lumped with the amateurs as a body of rather annoying "art experts." In Rod's earliest days as an aspiring artist he knew much more about this subject than is now the case. He no longer addresses art associations, since he has no training as an art educator. He does not presume to openly criticize the works of others by jurying shows. He has seen elements of favouritism in every selection process he was involved with. It is his wish that art educators and art critics would mind their own business, teaching and/or gossiping, and not presume to be professional artists.
There is, of course, nothing beyond economics to prevent any of them from moving on into the ranks of these unenviable, underpaid, working sods. Any painting is, in the end, a wall decoration, and the status of such work is more a matter of smart business moves on the part of an artist or his agent, rather than sheer outright talent rising to the surface. Sometimes recognition is serendipity! No matter how they see themselves, artists are bit players in the business world, and serfs to their patrons.
Rod has never been misused by an art critic, but having a local reputation means there is little loss or gain in any kind of professional gossip about his work. The lions of the art world are a different matter; Reviewing Colville's 1983 exhibition at the Art Gallery of Ontario for Art in America , Ross Skoggard noted that his work was controversial in terms of the Canadian art world and that. 'Colville has not yet been properly assessed in his own country,' Skoggard further wrote. '...He is both admired for his workmanlike technique and denounced as a provincial embarrassment by the segment of the Canadian art world that takes its cue from international art magazines.'
John Bentley Mays visited with Colville in Nova Scotia and returned to say this in the Toronto Globe and Mail (July 23, 1983), 'Its (his works) widespread popularity and potential as a crowd-pleaser apart, Colville's art is worthy of inclusion in a small, didactic group show of realists from Canada's Atlantic region; nothing more.'
In contrast, he was hailed in that same year by the British critic Terence Mullaly, as 'the most important realist in the Western world.' It was after this that Colville expressed a greater attachment for his dogs over the majority of people. He is a politically concerned conservative who did tell Mays, 'I do have a fear of chaos, and a strong sense of the fragility of civilization,' goes far toward accounting for the disquieting presentiment that invades his visions of peace, contentment, and beauty.
There you have it, another mark in favour of chaos theory! One would like to ignore such people; fortunately Colville has enough personal charisma and entrenchment or "authentication" of his work to turn his back on Mays without much effect in his pantry.
Thursday, November 15, 2007
How about some honesty in advertising?
Since others have usurped the titles which were once reserved to working stiffs in the art community, many of the latter are now seen to describe themselves as "full-time painters." This doesn't work as well as it should, since there are "house painters" as well as dabblers on plane surfaces of paper, canvas and what-have-you. Possibly one should hold out for "professional fine artist" but that is a little cumbersome and is not a description reserved to painters. Any suggestions?
John Marin was not quite an abstract-expressionist being one of those mid-century painters who did not want to break free of the natural landscape. He noted that artists needed "Encouragement." "Though courageous himself (in the face of living without a salary) he must have, like others about him, a good living, to do good work...the art-conscious public must help to bring that about by purchasing that which they profess to love."
What do you think?
Who Steals My Good Name....
CARFAC Canada has adopted the "International Artists Association (IAA)" definition of a professional artist as "one who fulfills at least one of the following criteria: earns a living through art making, possesses a diploma in an area considered to be within the domain of the fine arts: teaches art in a school of art or applied art; whose work is often seen by the public or is frequently or regularly exhibited or is is recognized as an artist by consensus of opinion among professional artists." Somehow they missed the fact that the full name of this group, based in Paris, France, is actually the "International Association of Art Critics." That is something else again, is it not.?
Those of us who have misspent our youth following the business of making art know that" life is short" and as Edward Hooper cynically noted of artists in general, "Ninety per cent of them are forgotten ten minutes after they are dead. We are no longer certain that "...Art is long." Evergood noted that in our atomic age, the "lasting" value of all the works of man is hardly in the hands of artists, "...only the diplomats and military leaders will decide what is to last."
Those who live by the axiom that the artist should "Make Love Not Profit!" are a fortunate few, and these are the folk who love word smithery to the exclusion of reason. Some are skilled amateurs with an education in art rather than the skills and instincts needed by an artist to survive in the art jungle. They are typically retirees from other work more congenial to their skills. A secure pension has an insulating vale, feathering the nest from a need to do business.
Order vs Chaos in the fine art world
Scholastics have always had a desire to rule the roost, which explains why art schools are usually in turmoil concerning what should be taught and how. Commenting on this fact Willem de Kooning said, "The group instinct could be a good idea, but there is always some little dictator who wants to make his instinct the group instinct."
De Kooning was abstract expressionisms most influential painter from his first one-man exhibition in 1948. Today there is more of a divide between figurative painters and his followers, but this was not always so. In 1951 he expressed this opinion: "There is no style in painting now. There are as many naturalists among the abstract painters as there are abstract painters in the so-called subject-matter school."
Fine or Finished Art
The arts of design were originally: painting, drawing, architecture and sculpture. These bastions of conservatism were assaulted in Victorian times by other wanabees, and in some circles, poetry, dancing, music and theatre were admitted to the fold, but there were objections, since these arts used loose interpretations of the word design.
Art, the all-embracing umbrella
Gallery used to mean a long narrow hallway connecting two opposing or ajacent buildings. Quite often this place had windows on one of the wide fronts with a blank wall opposite it. This sheltered wall, limited the light, and was seen as appropriate for the showing of works of fine art, most often paintings but sometimes sculpture. Paintings in oil and watercolours are reactive in sunlight so this was a reasonable place to show them. Today, any retail space may be described as a gallery but it is as likely to houses automobiles and furniture as it is art.
Art was a Roman concept and that word equated with a skill regulated by rules of procedure. Alternately, a profession, a pursuit, or a business. In medieval times this word was understood as a skill, or ability to perform certain acts following observation, study and accumulated experience. Since artwas seen as a discipline it became engrafted onto scholastic and academic pursuits to describe various branches of book learning., hence the Liberal Arts. Any systematic application of knowledge aimed at producing a product, ie. a craft, was also regarded as an art form, thus we hear of the Industial or Mechanical Arts. Today this word is used in even wider senses and it seems that almost evberyone qualifies as an artist of one sort or other.
Wednesday, November 14, 2007
Looking After Business
The Business of Making Art
The Art of Staying In That Business
Tuesday, November 13, 2007
I do not love November
An on line art instructress, Natasha Wescott (http://tashamama.livejournal.com/434382.html) reminds her students that "You don't have to have a degree to be a working artist" and "You don't have to draw or paint to be an artist." There is more than a bit of proof backing these assertions! Of course, it does help if you have a leg up in this strange art game (it is always a financial help to be connected with influential types) and the lack of drawing skills is not a help if you want to create works with some authority (unless you happen to have other things in common with folk such as Van Gogh, Gaugin or perhaps Rousseau, all somewhat mediocre delineators. with grand talents in other directions.
This got me thinking that painting the chaotic, disordered natural world is a the best bet for a person with few drawing skills! That place is filled with fractals and serendipity as opposed to straight lines and order , which are a part of the look of all town- and cityscapes. Worst of all are portraits and figure studies, which demand a lot of close observation and pedantic workmanship. I'm starting a small painting (sketch appears above) to prove this point.
The colours will cheer me!
As Leonardo says, you shouldn't stick with this kind of thing! With lots of practice one can get very good at re-executing the same subject matter, but that should not be what painting is about.
November 10, 7 am and 12 noon
Sunday, November 11, 2007
Friday, November 9, 2007
A new open comment social group
Many oil painters experimenting with the new medium criticized it for having unstable pigments and
defying subtle brushwork since it dried very rapidly. The confirmed watercolours who tried it usually railled at this same defect, and hated its tendency to darken rather than lighten upon drying. Many of these problems have been overcome in the past five decades since acrylics were introduced but the reputations of youth are a long time sloughing away!
The vibrant colours allowed by a plastic medium were especially suitable to the need of abstract expressionists who put them to good use in New York City. The Mexican muralists also found them attractive because of their non-toxic nature, resistance to sunlight and intensities of colour matching their country. In point of fact, the traditional media of oil and watercolour are better suited to the muted landscapes of Europe than those of North and South America. Any careful observer our our skies note that they can be naturally intense and best represented by this modern medium.
Interestingly, acrylics were imported from America into England and it was the Brits who first chafed at the fact that acrylics were seen as country cousins of oils and watercolours. "The National Acrylic Painters' Association evolved from the concept that acrylic paint is still largely unrecognized in its own right. Oil and watercolor paints started from the same premise, with the origin and the history of each giving them distinct characteristics and goals, as well as their own organizations and societies."
Ken Hodgson founded that group in 1985. Adrian Henri, an acclaimed international painter and poet, served as president from 1986 until 1991 and was succeeded by the present President, painter, writer and broadcaster, Alwyn Crawshaw. That particular socity spawned the International Acrylic Painters' Association, which is based in the United States. At that, there have not been many gains in the direction of anything resembling the "Royal Societies" organized on behalf of watercolourists and oil painters in times, which now seems far from the present realities of the art world.
Acrylic manufactures must have a growing market if one believes their propaganda. Winsor& Newton says that its use has "steadily increased" and that they now produce colours "specifically designed for acrylic painting." We suspect that acrylics remain under utilized EBay Canada is currently offering a lot of paintings for auction and these. Their statistics show that the medium is a little in advance of the watercolour but the oil painting medium is still king by a ratio of about 10:1. That was about the ratio for the painters in Domtar Agenda Show in Montreal and Toronto back in 1987. Twenty years ago, Rod had very little company in that horde of oil affectionados.
Art Educator David Pyle has this to say: "Early acrylics weren't without their problems. There were justifiable concerns with stabiliyty and color change. But, thanks to some very dedicated and skilled chemists in labs across the world, those issues have been all but eliminated. Modern acrylics offer great stability and clarity, and can be used with confidence that they're going to be around for the long haul."
Thursday, November 8, 2007
A new social group
The first commercial water-based acrylic paints suitable for fine art was trademarked Liquitex. The author of this site has used these paints since their introduction in the mid 1950's. They are fast-drying, water-soluble but permanent and insoluble after drying. Although the first acrylics were manufactured in Germany in 1902 they were first marketed and made popular by North American artists.
Rod was trained in the use of watercolours and oil paints but only one of his teachers made the transition to acrylics, and that was not while he was an art student. As a result he was largely self-taught with a bit of help from a text by someone named Woody Russell and the propaganda sheets issued by acrylic paint companies.
In this past half century Rod has invented some techniques for their use, which can be seen by clicking a link to his website seen at right. On the other hand, he still has a lot to learn, and would appreciate any input on this new forum. You are invited to visit and leave comments, particularly those aimed at forwarding the work of painter's in acrylic. What works for you?
Wednesday, November 7, 2007
Seen just prior to the big storm.
As we understand it these are all in rural areas where the greatest damage occurred. In one case it has been mentioned that it required five truckloads of men to clear downed trees from the lines of a single Nova Scotia power client. It has, again, been promised that full services will be restored by the end of the day.
I'm going out to look at the waterfront again. Last night same a minor storm hit Lunenburg.
That does not mean
For a better overview of damage throughout Nova Scotia, go to this blog-site: Awesome still and video images. websitehttp://hurricane-noel-nova-scotia-damage.blogspot.com/2007_11_06_archive.html
Things worked out better this time
Tuesday, November 6, 2007
Some folk treated Post Tropical Storm Noel
People at Queensland (near Halifax) awoke to this view of their former beach and highway. At Beach Meadows, Queens County, a trout fish farm was destroyed to the tune of $1 million dollars. Lobster fisherman were very concerned that their livelihood may have been affected. Peter Duffy of the Chronicle Herald reported the storm as "a bit of a letdown..." until iit started tearing siding from his home.
At West Berlin a resident said "This is worse than Juan for sure." That community found its wharves and shore buildings littered with seaweed. "We came down and all got discouraged and went home."
The Empty Berth
Locally, the "Lunenburg Progress Enterprise" took note of three downed trees in Hillcrest Cemetery, at Tannery Row, Green Street and Prince Street, but entirely missed the power outage in town during the middle of the night. They did note outages in neighbouring communities, but their reporters seemed to have slept more soundly than we did, and they gave little press to the effects on the marine community. A radio interview, the day after the storm, seems to have been missed: It recounted the unpleasant night spent by a ship owner trying to hold his craft in the wind for several long hours.
As late as yesterday afternoon
This morning we are told that there are still 7,000 homes without power and Windsor High School is still in the dark. At the height of things, there were many, many more cancellations and no school, particularly to the east and northeast of this place. A portion of the road was washed away at Queensland and shoulders were eliminated at Peggy's Cove, Lawrencetwon and Musquodobit. Pointr Pleasant Park in Halifax was not decoimated as it was when Juan struck (70% of trees downed) but this time 200 additional trees were uprooted.
Officially, winds at Lunenburg reached a mere 109 kilometres/hour, but the storm surge had waves breaking over local wharves along their entire lengths. There was a power outage and several large trees were felled. Like Saint John and Woodstock, New Brunswick, Lunenburg maintains its own local electric power lines and repair facilities and these folk seem to have been ready.. Today there is no sign of a wood chip anywhere and the streets are certainly clean of debris
Monday, November 5, 2007
Our closest neighbour's Hallowe'en Lanterns
While some inland residents were disappointed in Noels performance "On the coast, the storm was "more dramatic than Juan." - The Daily News. Halifax.
We concur. At Indian Harbour about 4:30 am a resident noted that the wind was "so fierce it tore stairways off properties." Carole MacInnis also noted that "We definitely had higher water, so it was really quite frightening. Eben Fry, a resident of this same community said that "It looks like the ocean picked up the road and moved it a few feet." The highest gust recorded at Metro was 135 kn/hr.
At Queensland an entire beach was swept out to sea and at Dartmouth an elderly couple lost their trailer roof to the high winds. At Peggy's Cove an intoxicated man had to be rescued by the RCMP after venturing too near the surf. At the time surf was breaking as inland over the restaurant parking lot (which is far back from the coast). In the morning another adventurer had to be rescued when he fell on the rocks.
Post Tropical Storm Noel, November 5
AS for Noel: the hurricane blacked out 170,000 Nova Scotian homes. There were only 43,000 places affected in New England. Fifty thousand of these were in Halifax. Local electricians were backed by volunteers from Quebec and Maine and it is expected the lights will be on everywhere by late Tuesday. The QE II Hospital was forced to operate on backup generators and stoplights were extinguished at four places within Metro. It took 100 fire service volunteers to clear downed trees and branches in Halifax.
Mike Sutton of Halifax had his BMW damaged by Hurricane Juan and got some new dents and scratches when the same tree downloaded on his car in this storm. "It's a nice little neighbourhood except for that the trees that keep falling."
Sunday, November 4, 2007
High Noon
By 9 am the weather was beginning to clear
The power went off at 4 am when a transformer ended its life in spectacular fashion to the north of our place. Understand that it was restored four hours later, but we were asleep at the time.
Still a lot of wind at this point in time. We have not been out to assess the damage. As it is Sunday, the Canadian news gathering services are largely inactive.
Lunenburg, Nova Scotia, ca. 4 am
The digital camera eye is not as acute as the human eye. We understand that New Englanders were disappointed with the effects of post tropical storm Noel, but it screamed in over Nova Scotia with gusts to 160 km/hr (hurricane force winds). Should have taken some video, but, not having slept, settled for this single grab shot from the second storey. In our province our old house shook, rattled and rolled and the mattress acted like a water bed although it consists of coiled springs.
Spray hitting the Railway Wharf climbed to 90 feet, judged by the hgeight of that ship, and the "Spanish Lady" which was within the Picton Castle enclosure was bobbing like a cork. We were amazed to find her still afloat in the morning. The Picton Castles timbers were bending in the breeze.
Saturday, November 3, 2007
Three hours later, noon, AST
Winds were originally predicted to top out at 100 kilometres/hour but that has been elevated to 130, with gusts to 150 kilometres/hour. Here is the official word for Lunenburg County:
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
Satellite Shot of this storm this morning.
Here is the local word: "Basically, we're looking for it to reach the coast of Nova Scotia late Saturday evening," said Peter Bowyer, program manager of the Canadian Hurricane Centre in Darmouth.
"The winds and the rain will start moving into Nova Scotia long before that in the southwestern Maritimes (i.e. Lunenburg)... with conditions deteriorating throughout the day."
"We do expect there to be some significant ocean wave action along the Atlantic coast of Nova Scotia, probably eight to 10 metres, meaning individual wave heights can be upwards of twice that."
Here is where Hurricane Noel was this morning.
"930 AM EDT SAT NOV 3 2007
...DAMAGING WINDS EXPECTED ACROSS MOST OF SOUTHERN AND WESTERN MAINE
AND SOUTHEASTERN NEW HAMPSHIRE LATE TODAY AND TONIGHT
ALTHOUGH HURRICANE NOEL HAS LOST ITS TROPICAL CHARACTERISTICS...
THE SYSTEM REMAINS VERY STRONG. THE INTENSE LOW WILL TRACK FROM
OFF THE MID ATLANTIC COAST...TO EAST OF CAPE COD THIS EVENING...
THEN ACROSS NOVA SCOTIA (2) TONIGHT. THIS WILL BRING DAMAGING WINDS TO
MUCH OF SOUTHERN AND WESTERN MAINE AND SOUTHEASTERN NEW HAMPSHIRE
...WITH THE STRONGEST WINDS THIS EVENING. DOWNED TREES AND NUMEROUS
POWER OUTAGES ARE POSSIBLE."
Friday, November 2, 2007
Mark Rothko, 1957
Exactly what is acrylic paint and how is it related to latex house paint?
On what continent did this modern medium arise, when?
On what continent was the acrylic medium first used? Where? when?
What paint company popularized this medium for use by artists?
Who is Mark Rothko?
See Rod's web site. Click link at right.
The fishing fleet comes ashore
"Jack Beven, a hurricane specialist at the (National Hurricane Center, Miami) , said Friday that "we don't expect the center to cross the U.S. coast. The track would take the center of the system over Nova Scotia." But Mr. Beven also noted that the storm "is going to increase rather significantly in size"
Environment Canada weather warning for Lunenburg County
Easterly wind gusting up to 100 km/h Saturday. Post-tropical storm Noel will approach Nova Scotia Saturday and then track across the Gulf of St Lawrence on Sunday. The main threat with this system will be high winds and heavy rain. Gusty easterly winds to 90 to 100 km/h will develop Saturday afternoon over Nova Scotia. Along the Atlantic coast of Nova Scotia winds could gust as high as 120 km/h Saturday night. Rainfall amounts of 40 to 60 millimetres are expected especially over the western half of the province. Conditions are forecast to gradually improve on Sunday.
Visitors in Lunenburg, November 1, 2007
The "Nirvana" five hours later
I have now been working with acrylics to the extent of 10,000+ paintings. My first set of Golden Acrylics was purchased in 1953 and I have always preferred them over other mediums.
Other artists are not as fond of them. They dry almost instantly which is both a blessing and a curse. They don't carry pigments as evenly as oils nor do they spread them as neatly as watercolours.
They do have these advantages: They form a film surface which is virtually lightproof, flexible and will not yellow. In addition they are the least expensive medium on the market and can impart a saturation of colour not seen in either oils or watercolours.
My personal notes on using acrylic colours and dealing with the production of the above painting can been seen on my website. Click address at right.
Thursday, November 1, 2007
THe "Nirvana" at Chester, Nova Scotia
There is a reason why plein air painting has more adherents in the south western United States than elsewhere. In a word climate. Here is Eastern Canada we have two months of summer and the rest of the year, which includes micro temperatures some would not would not credit.
Full time painters are cagey about the use of photographs. I am not certain why having been raised in the "Coke bottle lens, b&w era of photography. They are a great visual aid especially at the pit of the year, and sometimes a chance shot, like that above, left, is almost ready for interpretation as a painting. I always try it first as a small 8x10" canvas before committing to anything of larger size.
There is no essential merit in plain air work over studio painting, except that the setting is better in terms of sunshine and fresh air and there is a much greater chance of having a conversation with someone interesting. On the other hand, California does lack those crisp, cold, beautifully overstated clear days of mid winter, which can't ordinarily be recorded on the spot. If you are a painter, take pictures, take plenty of them: work for the night is coming. In my experience three in one hundred will have some merit as the subject of a December painting.
Tuesday, October 30, 2007
Seen at the samhuinn
Have a nice All Hallows Evening.
Friday, October 5, 2007
Rod's wall
Rod will have a 3x5" postcard size acrylic painting in the fund-raiser for Ross Creek. For details click link at right.
This is the largest space at the MOXIE
Ruth Brown at the Moxie opening
Drop in and see the first show at 430 King Street, Bridgewater, Nova Scotia, B4V 1A9, 902 530 3060.
The splash page for their website isnow up and running at http://www.moxiethegallery.com/
Thursday, October 4, 2007
Players in the little drama seen below
The scarecrows are on hand for interviews until Hallowe'en. We will eventually post some of these to our regular web site. This small format does not do them justice.